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These cast paper woodcuts reflect aspects of the artist's life, transformed into bold, graphic images. The prints show him
performing in puppet shows, playing in a rock band, and working as a printmaker. There are mandalas that use a circular
format, with each devoted to a single subject including making music and puppeteering. Many of the prints depict an
individual in the city, and feature the density and intensity of city life. Urban architecture, with its looming buildings, water
tanks and bridges, play a central role in this work.
These prints are expressionist in feeling, concentrating on the visual energy of black lines and strong color. They draw from
the German Expressionist tradition, which looks at the life around us through the lens of personal emotion.
The cast paper woodcuts began over twenty years ago, and have continued ever since. In this medium, woodcuts take on a
three-dimensional quality, giving the images a tactile immediacy. The process involves carving a wood block very deeply,
and then inking it up. Before printing, paper pulp made and dyed by the artist is applied to the woodcut mold in a painterly
fashion. Nails, mirrors, and other objects are often embedded in these deep paper casts.
As with the artist's intaglio prints, each impression is different - each act of printing involves working with a new set of
guided improvisations in color and texture. Some of the recent, complex works have involved multiple blocks that yield cast
pieces which are then assembled to create the finished print. The depth of some of the prints are over two inches and become
sculptural in their impact.
Although these are multiples, each one is unique. While being made, each print takes on its own
life, with its own capacity to evoke excitement, humor, and a sense of personal narrative.
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